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Lays of Ancient Rome

Lays of Ancient Rome

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Celebrity Death Match Special: Horatio at the Bridge versus Austin Powers, International Man of Mystery This book is simply good. It is quality poetry that begs to be read aloud (or at the very least subvocalized if you are reading in a doctor's office like I was). Macaulay's introduction gives a fascinating description of the role of ballads and song in establishing and passing on culture. Each poem is then introduced with a description of the period and events it is describing. To read them is to be immersed in the contemplation of honor, love, courage, and sacrifice. Lays of Ancient Rome has been reprinted on numerous occasions. An 1881 edition, lavishly illustrated by John Reinhard Weguelin, has frequently been republished. Countless schoolchildren have encountered the work as a means of introducing them to history, poetry, and the moral values of courage, self-sacrifice, and patriotism that Macaulay extolled. One of my favorite features of ancient poetry is its catalogs: the lists of gods, warriors or cities, each labeled with the appropriate epithet or characteristic. Macaulay excels at this sort of poetry. Here is his list of the Latin League towns and territories from “The Battle of Lake Regillus” (including the Rex Nemorensa of Aricia, memorialized by James Frazer in The Golden Bough): From every warlike city These poems of courage and patriotism became popular at the height of the British Empire, around the time Victoria was proclaimed "Empress of India," but Macaulay wrote them much earlier, long before he won his fame as an historian, in the years immediately before Victoria was crowned a queen.

That what is called the history of the Kings and early Consuls of Rome is to a great extent fabulous, few scholars have, since the time of Beaufort, ventured to deny. It is certain that, more than three hundred and sixty years after the date ordinarily assigned for the foundation of the city, the public records were, with scarcely an exception, destroyed by the Gauls. It is certain that the oldest annals of the commonwealth were compiled more than a century and a half after this destruction of the records. The Prophecy of Capys - Romulus and Remus return triumphant to the home of their grandfather Capys. When they arrive, Capys - blind and well advanced in years - is seized by a prophetic frenzy: Capys declaims a series of portents describing the future battles and victories destined as the lot of Romulus' descendants.Horatius' speech is included at the Chushul war memorial at Rezang La in memory of the 13th Battalion, Kumaon Regiment of the Indian Army. The phrase "how can man die better" was used by Benjamin Pogrund as the title of his biography of anti-apartheid activist Robert Sobukwe. Langworth, Richard M. (2009). "End of Glory: "Into the Storm" ". winstonchurchill.org. The International Churchill Society . Retrieved 16 July 2021. In Darkest Hour, Winston Churchill recites the following verses from "Horatius" (one of the Lays of Ancient Rome) to his fellow passengers in the London Underground: “Then out spake brave Horatius,

LARS PORSENA: Their captain, Horatio, has come out to meet us with two of his stout followers. They challenge us to trial by single combat. SCOTT EVIL: Thank you. I mean, hey, but this is totally not real. Like, how many archers you got there, Mister Tuscan General? Lays of Ancient Rome is an 1842 collection of narrative poems, or lays, by Thomas Babington Macaulay. Four of these recount heroic episodes from early Roman history with strong dramatic and tragic themes, giving the collection its name. Macaulay also included two poems inspired by recent history: Ivry (1824) and The Armada (1832).

By Thomas Babington Macaulay

The same story of Romulus and Remus is just a story which says that they founded on this day Rome. Read what a famous English historian wrote in his “Lays of Ancient Rome”, a collection of narrative poems, or lays: Thomas Babington Macaulay. Four of these recount heroic episodes from early Roman history with strong dramatic and tragic themes, giving the collection its name. The Lays were composed by Macaulay in his thirties, during his spare time while he was the "legal member" of the Governor-General of India's Supreme Council from 1834 to 1838. The poems themselves are fun, in an old-fashioned bumptious way. They aren’t first-rate poetry, but they are first-rate second-rate poetry, and that’s good enough for me. (“The Raven,” “The Charge of the Light Brigade,” and “The Highwayman” are all excellent examples of my idea of first-rate second-rate verse.) Macaulay was in his thirties serving as "the legal member" of the Governor-General’s Supreme Council for India. While ministering to the fledgling empire of the British, Macaulay reflected upon the origin of the Roman; he read closely the first five books of Livy, which are filled with the myths and legends preserved from Rome’s earliest days. Scholars of Macaulay’s time believed the theory—since rejected—that Livy based his history on ballads now lost—works of the early empire which praised the city’s ancient origins—and it was reflecting upon these lost ballads that sparked Macaulay’s creativity. What would these old ballads have looked like? How would they have treated their already mythic material? Would their writers’ view of the present have helped them organize the myths of the past? As a teenager, Winston Churchill won a Harrow School award for memorising and declaiming all 1,200 lines [i] of Macaulay's text. [10] In the films Into the Storm (2009) [11] and Darkest Hour (2017), he is depicted reciting Horatius' speech while Prime Minister during the Second World War. [12] The plan occurred to me in the jungle at the foot of the Neilgherry hills; and most of the verses were made during a dreary sojourn at Ootacamund and a disagreeable voyage in the Bay of Bengal. [1]

It is certain, therefore, that the great Latin writers of the Augustan age did not possess those materials, without which a trustworthy account of the infancy of the republic could not possibly be framed. Those writers own, indeed, that the chronicles to which they had access were filled with battles that were never fought, and Consuls that were never inaugurated; and we have abundant proof that, in these chronicles, events of the greatest importance, such as the issue of the war with Porsena and the issue of the war with Brennus, were grossly misrepresented. The Lays sold well in America and had a profound impact on the generation that would fight the Civil War. On June 27, 1864, Ohio Colonel Daniel McCook Jr. prepared his brigade to advance toward Confederate positions at Kennesaw Mountain, Georgia by reciting the phrase from "Horatius" beginning "For how can man die better / Than facing fearful odds..." More than thirty years later, Lieutenant J. T. Holmes wrote "I recalled McCook's death song as he strode through the brigade and the actual work before us, of which we had been advised, began to dawn clearly on all minds. It was doubtless, a spontaneous quotation, but very appropriate to inspire the patriotic feeling and, if we had been Roman soldiery, a trust in the care of the gods. It was a heathen refrain, but impregnated with love of country and kith and kin and duty owed to them all." [8]Macaulay, Lays of Ancient Rome, William J. and John C. Rolfe, eds., Harper and Brothers, New York (1888).

Their leader was false Sextus, / That wrought the deed of shame: / With restless pace and haggard face / To his last field he came. / Men said he saw strange visions / Which none beside might see; / And that strange sounds were in his ears / Which none might hear but he. / A woman fair and stately, / But pale as are the dead, / Oft through the watches of the night / Sat spinning by his bed. / And as she plied the distaff, / In a sweet voice and low, / She sang of great old houses, / And fights fought long ago. / So spun she, and so sang she, / Until the east was gray. / Then pointed to her bleeding breast, / And shrieked, and fled away." Richard Corliss (19 April 2013). "Tom Cruise in Oblivion: Drones and Clones on Planet Earth". Time . Retrieved 31 August 2013. The Lays of Ancient Rome comprise four narrative poems comprised by Lord Thomas Babington Macaulay: recalling popular episodes from Roman historical-legends that were strongly moral in tone: exemplifying Roman virtue against Latine perfidy. The Lays were composed by Macaulay in his thirties, during his spare time while he was the "legal member" of the Governor-General of India's Supreme Council from 1834 to 1838. He later wrote of them: He reeled, and on Herminius / He leaned one breathing-space; / Then, like a wild cat mad with wounds, / Sprang right at Astur's face. / Through teeth, and skull, and helmet / So fierce a thrust he sped, / The good sword stood a hand-breadth out / Behind the Tuscan's head."I get a weekly allergy shot and have to wait in the doctor's office half an hour after each shot. This has been the treat that makes me look forward to those visits. I wouldn't allow myself to read it any other time. Believe it or not the epigram “Rome was not built in a day”, meaning that some things cannot be done at once, but require time and patience, was not coined by Romans. As a matter of fact it first appeared in England in John Heywood’s “A Dialogue Containing the Number in Effect of All the Proverbes in the English Tongue” (1546). It was also used in “Don Quixote” (1605) by Miguel de Cervantes. Nowadays modern Romans usually do as they like, and do not expect others do as they do. Just as fun as the poems themselves, though, are the essays that precede them, in which Macaulay discusses the characteristics of the Roman ballad tradition—which is of course his own fabrication—in a way that explains (and excuses) many features of his poems, including the occasional anachronism. The Battle of Lake Regillus - The Romans take arms against the powerful Latine league headed by the expelled Tarquin nobles. The fighting is desperate and bloody: the event is decided only after the arrival upon the battlefield of the twin gods Castor and Pollux. You can see why the Victorians loved these verses by Macaulay, celebrating as they do the very Victorian virtues of Courage and Patriotism. I myself was swept up in some of Macaulay’s Lays, in particular I was moved by the poem “Horatius” whose famous lines pop up in films from time to time (such as Tom Cruise’s “Oblivion” and, more recently, the Churchill biopic “Darkest Hour.”):



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